Frau im Mond (Woman in the Moon) (1929)

Frau im Mond (Woman in the Moon) 15 October ______ Fritz Lang Science Fiction, Adventure, Space Exploration Romance

Frau im Mond (Woman in the Moon) 15 October 1929 Fritz Lang ______, ______, ______ Romance

Frau im Mond (Woman in the Moon) 15 October 1929 Fritz Lang Science Fiction, Adventure, Space Exploration ______

______ was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

Lang’s last silent movie was ______. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It ______, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, ______, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, ______ the exceedingly banal character conflicts on board the first rocket to the moon.

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on ______.

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. ______, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary.

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it ______: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary.

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it looks considerably more dated than other Lang silents: it’s ______, and the sci-fi trimmings remain entirely secondary.

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and ______.

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. ______ Lang’s magnificent sense of spatial drama: the actual launching of the rocket.

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. One scene is distinguished by ______: the actual launching of the rocket.

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. One scene is distinguished by Lang’s magnificent sense of spatial drama: ______.

One scene is distinguished by Lang’s magnificent sense of spatial drama: the actual launching of the rocket. ______ one of the rare Lang movies with a deliriously happy ending.

One scene is distinguished by Lang’s magnificent sense of spatial drama: the actual launching of the rocket. Otherwise, it’s chiefly notable for being ______.