Dr. Jekyll and Mr. Hyde (1920)
No description yet. This curated deck is ready for daily study.
Card preview (10)
Dr. Jekyll and Mr. Hyde 18 March ______ John S. Robertson Horror, Science Fiction, Drama Gothic Horror
1920
Dr. Jekyll and Mr. Hyde 18 March 1920 ______ Horror, Science Fiction, Drama Gothic Horror
John S. Robertson
Dr. Jekyll and Mr. Hyde 18 March 1920 John S. Robertson ______, ______, ______ Gothic Horror
• Horror • Science Fiction • Drama
Dr. Jekyll and Mr. Hyde 18 March 1920 John S. Robertson Horror, Science Fiction, Drama ______
Gothic Horror
______, and especially by the celebrated transformation scenes, this early adaptation of Stevenson’s story elsewhere rarely rises above the routine, despite the efforts of cinematographer Roy Overbaugh to shadow the squalid streets of London expressionistically. (Paul Taylor)
Dominated by [John] Barrymore’s stagy bravura
Dominated by [John] Barrymore’s stagy bravura, and ______, this early adaptation of Stevenson’s story elsewhere rarely rises above the routine, despite the efforts of cinematographer Roy Overbaugh to shadow the squalid streets of London expressionistically. (Paul Taylor)
especially by the celebrated transformation scenes
Dominated by [John] Barrymore’s stagy bravura, and especially by the celebrated transformation scenes, this ______ elsewhere rarely rises above the routine, despite the efforts of cinematographer Roy Overbaugh to shadow the squalid streets of London expressionistically. (Paul Taylor)
early adaptation of Stevenson’s story
Dominated by [John] Barrymore’s stagy bravura, and especially by the celebrated transformation scenes, this early adaptation of Stevenson’s story ______, despite the efforts of cinematographer Roy Overbaugh to shadow the squalid streets of London expressionistically. (Paul Taylor)
elsewhere rarely rises above the routine
Dominated by [John] Barrymore’s stagy bravura, and especially by the celebrated transformation scenes, this early adaptation of Stevenson’s story elsewhere rarely rises above the routine, ______ to shadow the squalid streets of London expressionistically. (Paul Taylor)
despite the efforts of cinematographer Roy Overbaugh
Dominated by [John] Barrymore’s stagy bravura, and especially by the celebrated transformation scenes, this early adaptation of Stevenson’s story elsewhere rarely rises above the routine, despite the efforts of cinematographer Roy Overbaugh to ______. (Paul Taylor)
shadow the squalid streets of London expressionistically